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Nothing on par with the classics but he has plenty of moments where his strengths are showcased, like “Glory” and “Post Bail Ballin.” The latter is the kind of song that reminds you why Wayne is fun, line after line of focused lyricism, based on the title, Rick Ross would’ve been a good feature. I did give FWA a listen, it.isn’t terrible, by modern Wayne standards.
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This approach worked when his punchlines were jaw cracking and his eccentric voice and flows was new and alien, but time has caused his most admirable traits to age in an era full of bizarre styles. He lacks the innovation that's kept us interested in new Kanye, he attacks each song like a bull and the beat is a matador. He lacks the vision and ambition that kept Jay Z in the spotlight. Wayne never attempted to mature his subject matter. We're familiar with the same stream-of-conscious acrobatics, the bite, the vigor, he’s competing with his old self and a generation of rappers inspired by his old efforts. While his high volumes of releases once created this image of a Martian that only recorded raps, impregnated beautiful women and consumed an abundance of Styrofoam cups, it also burned him out. Time just happens to be the arrow that pierced his heel. In his prime, Wayne was Achilles in the Trojan War, a warrior that appeared to be invincible, each verse more robust than the last. I know what Wayne offers in 2015, another batch of dim highlights and auto-tune missteps. There’s nothing new or fresh being brought to the table, you know what to expect, trapped in the routine stage, there’s no hope of surprise. It’s like being in a long marriage that’s stuck in a drought after the kids leave for college, where all the passion and excitement has completely dried up. After years of hearing countless records that waivered on promising resurgence and complete disaster, I’ve finally lost my enthusiasm.
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And while Wayne's dimished impact has to be attributed somewhat to Tidal exclusisivity, it feels like a much deeper problem. When Drake suddenly released IYRTITL I was flooded with requests for a download link, my phone didn’t stop ringing, same when Kendrick liberated TPAB early, but even considering Free Weezy is a mere mixtape, Wayne didn’t cause the slightest stir. Tidal was obviously counting on Wayne's star power being bright enough to get holdouts to to finally break down and subscribe. We don't know the official numbers, but anecdotally it didn't work I literally don't know a single person who signed up so they could get FWA, myself included. True, the album was quarantined on Tidal, but rising above the tide line is now also a great test of artist popularity. A few years ago a surprise album from Wayne would’ve broke the internet, but the kind of reaction Sorry For The Wait 2 recieved makes Free Weezy look like a paper cut in comparison. There isn’t enough chatter, my timeline isn’t full of quotes, as I predicted the blogs have only shown minor signs of love or hate, I haven't seen any of the trendy topics that usually arrive with the release of new Wayne. It doesn’t feel like Wayne released a new album just days ago.